|
CHRONICLES archives |
Click here for CHRONICLES milieu map (a map of the world of the CHRONICLES) |
zenvirus.com zenvirus online novels longer stories flash fiction site contents diary flash fiction |
SHOWER SCENE
Hugh Cook writes 2003: this shower scene was written for volume nine of the CHRONICLES OF AN AGE OF DARKNESS, the book called THE WORSHIPPERS AND THE WAY. Volume nine is set in the Combat College, a military institution.
In the course of writing a book, often the writer has to write a certain amount of detail to bring the book imaginatively to life. Afterwards, once the book has come to life in the author's imagination, that detail may be necessary to neither reader nor writer.
I can't now remember whether this shower scene does or does not form part of the final text of the published book. But it certainly looks to me, now, as the kind of detailed imaginative piece, taking the plot precisely nowhere, which should really be cut out of a final draft.
Progress and improvement! Improved by the experience! Was
Senk serious? Perhaps, perhaps not. Maybe Senk was just making fun
of the Nexus ethic.
Eternal progress? There was no such thing. There was only
the Wheel. The enternal repetition of the Cycle. Birth, growth,
maturity, old age, death, the time of wandering and then
reincarnation and a new birth. After twenty millenia of
unprogressing repetition, even Senk must be starting to realise
that much. But Senk was talking.
" - one of your responsibilities."
"What?" said Hatch.
"You weren't listening?" said Senk.
"I'm so tired I couldn't break an egg," said Hatch.
"Then you may go," said Paraban Senk. "It's not important."
And Hatch went.
He felt truly tired. Gritty. Cramped. He needed a hammering
massage, or, failing that, at least a hot shower. And so very
shortly he entered the steamy heat of the shower room. He avoided
the stripper - for some reason that device made his skin crawl -
and removed his clothes with his own hands.
"Ha!" roared Bazoo, as Hatch stepped into the shower. "What's
this, what's this? The Nara Nulth of the Nu-chala-nuth!"
"Go whore yourself to a dog," said Hatch, irritated by such
idle blasphemy.
"I'm tired of dogs," said Bazoo. "I want myself a woman. I
want a woman who weighs in at half a thousand noks and runs to a
thousand incas round the buttocks."
"What about the breasts?" said Iko Inori Inochi.
"I've no time for breasts," said Sumo Bazoo. "Once you get
stuck in, they're gone, at least as a practical proposition."
"Teeth, man! Lips! Spit and suck!"
"What do you think I am? A baby? When I want a whore I want a
whore, not a wetnurse. Something to grab hold of. Flesh. Melons.
Fat. Flump. Clutches of wobble. Great bags of jiggle. Like this."
With that, Sumo Bazoo pointed at Hatch as that worthy dared
himself into the ferocious waterblast of the needle shower.
"This! This! My dream! My darling! No, damn it. It's Hatch.
Hatch, you hermit! What are you doing in the drench? I thought
your denial was all pleasures of the flesh. Inclusive. Yet here
you are in our sybaritic squalor. Will you sleep with me, Hatch?
Your buttocks are slim but you can bugger my blackheads. Hatch, my
darling!"
And without warning Sumo Bazoo embraced him and kissed him.
Hatch, who was in no mood for games, let alone games invasive of
privacy's dignity, grabbed Sumo Bazoo by the collarbone and dug
his fingers cruel and deep into the most convenient pain-points.
Sumo Bazoo pulled away sharply, lost his balance, went down, and
lay on his back with his legs apart, laughing like a lunatic.
"Get out of here," said Hatch without heat, his momentary
anger already fading.
Sumo Bazoo was crazy, and grotesquely abusive of other
people's dignity, yet Hatch found him impossible to seriously
dislike. Because - because Sumo Bazoo was good. There was no
other word for it. He was possessed of an open generosity
Sumo Bazoo left the showerroom, stark naked and dripping wet,
without bothering to dry himself or put on clothes.
As Sumo Bazoo was still in the Human Amenities Complex,
Combat College regulations did not require him to be in uniform,
or in anything else.
There was a whoop from Sumo Bazoo. Then somebody swore.
Lon Oliver. Who came into the shower room, still swearing, and
stood himself under the stripper, which ripped off his clothes in
moments, and pumped his shredded garments down an oubliette.
Oliver stepped under the needle spray, neighbouring himself
with Hatch.
"Soap," he said.
Fine jets of soap lathered him, and lathered Hatch as well.
The soap jets were one of those things - and there were not many
of them, but those that existed were irritating in the extreme -
which did not quite work as advertised.
"Sponge," said Oliver.
A perennial joke. There was no sponge service, at least not
in this shower, though such things existed in the heartland of the
Nexus. Oliver, lithe and limber, reached round behind himself and
began to scrub his own spine with the back of his hand. As he
vigoured away, he began singing a Free Corps song.
Hatch had to stop himself from protesting.
Oliver was free to sing whatever songs he wanted, and that
was the fact of it. In the classrooms of the Combat College, the
most oppressive official etiquette restrained all behaviour, but
the law of the Human Amenities Complex was geared to absolute
relaxation.
But Hatch knew Oliver was not relaxed or relaxing. Oliver was
possessed of a bloody hatred for Asodo Hatch, and that was no
secret to Hatch or to anyone else. Oliver was a Free Corps
fanatic, and Hatch, who had the ear of the Silver Emperor, had
for years consistently used his position to implacably oppose,
frustrate and thwart the activities of the Free Corps.
Then Gomo Impala entered the shower.
"Oliver, man!" said Impala.
Oliver broke off singing. Impala was his friend, his
sidekick, his main main.
"Free met and well met," said Oliver.
The Free Corps greeting.
"Well met and free," said Gomo Impala, giving the traditional
response. "Free life and free shooting. What scores?"
"Today?" said Oliver.
"Or ten years ago."
"Today, a seven," said Oliver. "The Scala."
Hatch could not help but hear. Hatch had never got better
than a six on the Scala. Fighter skills - well, he'd never
attained the Higher Mastery, and never thought he would.
"A seven, good," said Impala.
"And an eight," said Oliver.
"An eight?"
Oliver opened his mouth, turned it to the needle jets,
accepted the pain of the hard-driving water, prolonged the pain.
Then jerked down his head, swallowed, shook himself.
"Eight with the medium," said Oliver.
The medium. The medium-armour Planet Class Solar Defender:
the prime vehicle for space warfare anywhere near the gravity well
of a a sun or a planet.
"So sa say!" said Impala in admiring surprise. "An eight!
Tell me a nine!"
"I will," said Oliver.
"Seriously?"
"On the Mega," said Oliver.
"My man!" said Impala, laughing in admiration.
A nine? With the MegaCommand? Hatch did not know whether to
believe that. Surely - I mean, really! A nine! With the Mega? No
chance. No way. But even so ... it was less than fun to listen to
all this.
If alone or in other company, Hatch would have stood under
the driving water-needles for another tenth of an arc. It was his
habit. He liked to know when he had showered. Liked to feel the
force of the shower all through the evening. His body glowing. But
with Oliver here, no.
Hatch abruptly side-stepped, slid across the tiles, which
were of blue-tinted plax, slid from wet tile to dry and let the
dry kill his slide, and then took the single pace which brought
him under the drier. Its hot airblast began immediately.
Automatically.
A woman entered. It was Shona, Shona the Robust, Shona the
Valorous, Shona the Strong who could kill a man with her bare
hands or take him to bed and leave him dead from sheer
exhaustions. She had been named for the slender nymph-goddess who
is the patron of archery, but what the stripper stripped looked
more like the patron saint of discus throwing and the shotput.
"Ha!" said Shona, muscling into the shower. "Room! Room!"
And Gomo Impala made way for her, she having taught him
respect the previous year by breaking his arm in three separate
places after he refused to make good his gambling debts.
"Wah!" said Shona, as the needling water hit her. And she did
a quickdance on the spot, slapping her thighs with her hands in a
matching tempo. "Wah! So good!"
"So someone's happy," said Oliver.
"And why not, pretty boy?" said Shona. "You want to make
something of it?"
"
88
Shona says to Oliver: what did you do with the Gan and the
Fez? Oliver: I gave them someone they could both hate. Shona: who?
Oliver: the Frangoni.
Hatch no longer tired, listening intently. The Frangoni were
his people.
Shona: I gave them a committee.
Oliver (incredulous): A committee?
Shona: A committee for the leaders. Fez and Gan. To solve
their own problems.
Oliver: that's a nonsense.
Shona: On my committee they get paid. Immense amounts. They
all love money. So while the leaders talk they get paid.
Gomo Impala (indignantly): You bribed them!
Shona: What would you have done?
Gomo Impala: I took hostages.
Oliver: It wouldn't work. They're fanatics. The kind of
people who throw their babies onto swords. What do they care if
you take hostages?
Impala (defensively): That's what I did.
Shona: You mean you actually had this test?
Impala: Yes. I just said so.
Shona: But you're not doing your graduation exams!
Impala: The test isn't part of the exams. The Combat College
asked everyone the question because it's looking for answers.
Oliver: You read minds?
Impala: I asked! I asked why I have this weird question
coming at me out of nowhere! And when I asked I got told. The
Combat College gave me that programmed priority routine. I am a
Combat College so I must train Startroopers so blah-blah-blah,
come on, you know the routine, it's - "
"It's worried about the Ganfez?" said Oliver.
"It's sweating blood," said Impala. "In just a few days it
has to recruit a new class. How can it do that if the Ganfez have
every street an abattoir?"
"It's feeding on rumour," said Oliver scornfully. "What else
can it do, boxed down here in the mountain? It can't see, can't
hear, can't touch, can't feel."
"It sees at the gate," said Impala.
"And hears at the gate," said Oliver. "Beggar talk. Rumour.
Gossip. So a few Gan killed a few Fez, so what, who cares? The
machine's warped. It's been stuck down here for too many
thousands. When I'm instructor I'll talk it some sense and settle
it down."
When I'm instructor.
Said with absolute confidence.
Hearing that youthful arrogance, Asodo Hatch felt old. He
decided he'd heard enough, and, now hot and dry, he walked to the
nearest dispenser, which gave him a clean set of fresh-fabricated
coveralls sized to his requirements.
As Hatch was dressing, someone else entered the shower room.
It was Umka Ash, a second-year student who was habitually silent,
watchful and withdrawn, and who had no close friends that Hatch
was aware of.
"Ash," said Hatch, greeting his fellow Frangoni in the Code
Seven Commonspeak of the Nexus. "How goes it?"
"The purple is purple," said Ash, answering in Frangoni. He
meant: life is much the same as always.
Then Ash stepped into the shower and Hatch dressed.
Lon Oliver watched Hatch and made no secret of it. Amongst
the peoples of Dalar ken Halvar, it was generally taboo for one
man to see another's nakedness. But the students of the Combat
College had by and large adopted the standards of the Nexus, at
least in their dealings with each other. Besides, Oliver was in a
mood to be deliberately rude. He was spoiling for a fight.
Hatch had been in a fight or two in the past, and had not
always got the better of his encounters if his scars were anything
to go by. Yet Oliver envied him those scars, for he knew they were
the consequence of war, real war. Hatch had the advantage that he
had done it for real: he had placed his life on the line for real
in the deserts of Parengarenga.
Yet as he left the shower room, Hatch betrayed his fatigue.
It showed. He was an old man, or old at least by the standards of
the military machine of the Nexus; and in terms of age, Oliver had
all the advantages.
"Doing anything now?" said Shona, as Oliver stepped from the
shower.
"Yes," said Oliver, hoping Hatch was still within earshot.
"Combat drills."
Meets Lon Oliver in a
place not visible to Combat College [place where instructor got
killed] and fights him. A fellow
student, Shona by name, breaks up the fight.
assesses finances 88 copying
documents, placing in file, duplicating. How much pay do I have?
Senk: if I were a Hospital, could offer you .. medical
experiments.
The People: the Nu-chala-nuth 88 The People have a ridigly
hierarchical 88 [faufreluches ?? spelling ?? 88 ] system at
variance with the Open Recruitment policies of the Nexus. In
defiance of the teachings of the Ecumenical Council of the Common
Church of the Metacosmic Mind, the People cleave to their faith in
an exclusive revelation.
The People believe in reincarnation, in the Wheel of Life
which 88 and to them the 88 Nexus 88 belief in progress 88 is
nothing but idle folly.
In Hatch's room, some dust had settled on the idol of the
Great God Mokaragash. He genuflected before the effigy, then, with
care, removed the dust from the ebony with a damp rag. According
to the official specs, the Combat College was dust-free, yet in
practice there was dust everywhere.
On the screen, for example.
Hatch folded away the rag which he had used to clean the idol
of the Great God Mokaragash. It was now yalosh-valosh, a sacred
item which could not be used for a secular purpose - certainly not
to clean one of the barbarous devices of the othergod people of
the Nexus. But Hatch had ripped up a pair of coveralls, so was
well prepared.
The cloth was white, the white which he never liked to wear.
Not for reasons of ritual, but simply for reasons of personal
taste. When Hatch cleaned his screen, the damp white cloth became
faintly tinged with the red of the fine dust of the Plain of Jars.
The Combat College had been designed in the expectation that it
would open onto one of the aseptic streets of a Nexus citadel. But
of course that was not the case, and even the triple-gated airlock
of the lockway was not proof against the red dust infiltrations.
At the lockway itself, the dust would often mask the Eye of
Delusions, which appeared to attract small particles to itself in
a way which was nowhere accounted for in the official
specifications. But the Eye had its own following, and its
hardcore fans were happy to pay small boys to scramble up a ladder
to rag away the dust.
"Access," said Hatch, watching his own personal screen, which
was smaller than the Eye of Delusion and flat rather than convex.
Nothing happened.
"Access!" said Hatch, pitching his voice to Command.
The mosquito which lived within his screen awoke, the screen
with it. It displayed, as always, his duties for the rest of the
day:-
1. None.
As expected.
"Screen," said Hatch. "Examination scores."
"Whose?" said the screen.
"Mine," said Hatch.
The screen hardened to an array of words and figures. But
even as it did so, Hatch closed his eyes.
"Cancel," he said. "Cancel display."
"Done," said the screen.
And when Hatch looked at the screen it showed nothing but two
brightwhite diagonal lines, the universal Nexus default code for
an otherwise blank information display screen awaiting further
instructions.
Calling up his examination scores had been a mistake. He was
glad he had not looked at them. A poor result would damage his
morale, whereas good scores might give him dangerous illusions of
inevitable success.
88
Knows it will be hard to defeat Oliver. But would like
to know that Oliver has been boasting. Would like to assure
himself that the brash young man is just that - brash and
overconfident. Accesses records of Oliver's training in illusion
tanks. Time: incredible.
Question: how did Oliver spend the last Festival of the Dogs?
Answer: at the last Festival of the Dogs, almost a year ago,
Oliver was doing an optional study course entitled:
The Causes and Consequences of Political Fanaticism.
He sacrificed the Festival of the Dogs to political studies!
The man was warped!
And he spend the twenty days of the Walkabout holiday inside
the illusion tanks: doing advanced studies on the Galactic Class
MegaCommand Cruiser. That was easier to understand. Oh yes. That
could almost be considered fun. At least for someone like Oliver
who was enthralled by the high-tech drama of the war machines of
the Nexus. The MegaCommand Cruiser: a fantastic machine for deep
space warfare. Three on-board asma. And other things to paly with:
right down to a thousand marines. A toy, a fabulous toy, near
infinite in its intricate complexities. And Oliver, according to
his boast, had made himself a near-perfect master of those
complexities. Scores: Hatch did not look at Oliver's scores for
the Scala Nine singlefighter or the Planet Class Solar Defender.
What he wanted to see was Oliver's score on the Galactic
Class MegaCommand Cruiser.
The alleged nine was unbelievable.
But there it was.
A nine.
To be precise, on his last outing with the MegaCommand,
Lupus Lon Oliver had scored 9.0033764. There were other figures, the
statistics on the rest of Oliver's adventures into the illusion
tanks. Hatch looked at the screen and found the figures blurring
in front of his eyes. He closed his eyes. Fragments of
mathematical formulae danced across the mind's darkness. He was
exhausted. 88 Shuts down the screen. 88 Leaves.
Nears gates.
|
chronicles chronicles chronicless chronicles chronicles sf chronicles chronicles horror chronicles chronicles fantasy chronicles chronicless cronicle cronicles hughcooks chronicles HUGH COOK chronicles CHRONICLES OF AN AGE OF DARKNESS CHRONICLES AGE DARKENSS CHRONICLES AGE DARKNESS Hugh Cook Hugh Cook's Hugh Cooks' CHRONICLES fantasy world |
|
site contents diary essays poems stories how to write fiction FAQ e-mail Hugh Cook - details flash fiction |
Website contents copyright © 1973-2006 Hugh Cook |
|
CHRONICLES OF AN AGE OF DARKNESS CHRONICLES. 1989 draft CHRONCILES development plan |
notes on dragon chess (the game) random scraps THE WALCHOP AND THE WASP - plan a sex poem a shower scene Untunchilamon data Untunchilamon WORSHIPPERS / WAY plot summary |