Science fiction novel by Hugh Cook.
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The Worshippers and the Way

A novel by Hugh Cook

Chapter Thirteen

        Parengarenga: continental mass east of Argan, south of
Tameran and west of Yestron. Dalar ken Halvar stands on the
central upland plateau, viewed from which the geography is thus:-
        To the north, a harsh and sparsely populated desert
stretching away to the Coast of Sand; to the south, the arid
wastes of the Death Lizard Desolations, then the Blue Mountains,
with the lush tropics of the Elephant Coast beyond; to the west,
the Golden Desert, realm of gold-diggers and opal miners,
terminating at the Crocodile Coast; and, to the east, the Cattle
Plains, which reach across the horizons to the Coast of Grass.
        The Empire of Parengarenga has an army of a bare 30,000 men,
a number ludicrously small until one considers that a continent
which consists largely of a series of wastelands needs precious
little protection against invaders, and that the Silver Emperor
typically resolves domestic problems by political manipulation
rather than brute force.

                                                 * * *

        So he seated silk on furs, and,
        Sweat despoiling ambergris and incense,
        Stacked his folds for comfort.
        Then watching fed, and fed on watching,
        Fed on blood, and fingered
        The naked soul beneath his thumb -
        A blister-boil about to burst
        And break beneath the sun.

                                                 * * *

        On leaving Shona, Hatch did not go to his own home, but
headed instead to the elegant house known as Pan Lay, the house
which was the home of the Lady Iro Murasaki. If his murder was on
the agenda, then he would surely be safer at Pan Lay; and,
besides, he was in a mood to see the lady.
        The Lady Iro Murasaki greeted Asodo Hatch in her customary
manner, and they settled themselves upon a padded luxury of
cushions. Tea was brought, and they drank.
        The Lady Murasaki was adorned with Janjuladoola silks which
had been spun and embroidered in the far-off city of Obooloo in
the distant continent of Yestron. Those silks were patterned with
fish and birds. Yet wealth far greater adorned her hand, for on
her finger she wore a sample of that rare and fabulously expensive
gemstone known as ever-ice. The stone was held by a setting of
silver. It was cold always, and by night and day alike it was
surrounded by a nimbus of light, sometimes cold white and
sometimes rainbow.
        "How is your daughter?" said the Lady Murasaki.
        "Onica is well," said Hatch, dreading the question which
would probably follow.
        It did.
        "How is your wife?"
        "Talanta ... Talanta is the same as ever."
        So said Hatch. His lover corrected him. Not Talanta. No. Not
that. Rather: the Lady Talanta.
        "The Lady Talanta, then," said Hatch.
        But she was no Lady, for Frangoni females did not bedeck
themselves with gaudy titles. And Talanta was truly of the
Frangoni. She was the Frangoni his parents had chosen for him, the
woman he had brought to bed and who had given him children. And
now she was - but he did not like to think about now. The now of
his wife. Still less did he care to think of the future. Rather,
he preferred for the moment - it might be wrong, doubtless was
wrong, but this was the reality - to put his wife out of his mind.
His moment was all for the Lady Murasaki.
        The Lady Murasaki, however, was not concerned with the moment
but with Hatch's family.
        "When did you last see the moneylender Polk?" said she.
        "I saw him today," said Hatch.
        "Did you then discuss your sister's debts?"
        "We were, ah, interrupted," said Hatch.
        "I trust you have a scheme to redeem your sister's debts,"
said the Lady Murasaki. "The news I hear of her is most
distressing. It seems that she is in danger of being sold into
slavery. Surely it is your duty to prevent that from happening."
        "I have no money," said Hatch flatly.
        "But," said Murasaki, good humor in her words, "you are a
captain of the Imperial Guard and a favorite of the very emperor
himself. How can you be without money?"
        "How many times does it have to be told to be true?" said
Hatch, starting to get irritated. "I have no money."
        "Then," said Iro Murasaki, "you will get it."
        "Very well then," said Hatch, suddenly angry. "Then I will
go. Go seek my silvermine."
        "You are tired," said the Lady Iro Murasaki, making
allowances for him.
        But Asodo Hatch did not respond, nor did he linger for the
time it would have taken to kiss her. Instead, he quit the fine
and mighty house of Pan Lay in something uncommonly like a fit of
bad temper.
        When Hatch was gone, the Lady Iro Murasaki reviewed their
conversation, and the potential demand on her own treasury which
was implicit in Hatch's situation. Had she truly heard something
of a beggar's whine in his voice? She hoped she had imagined it.
She knew of a certainty that she could be of no assistance to him,
for the money she had invested with the Bralsh yielded her but
three per centum per annum. She had budgeted out her own expenses
to the last minimum, and durst not risk her capital, since that
was a certain way to ruin.
        As an individual, no doubt Asodo Hatch would have been a good
risk; but as a Frangoni, Hatch was bound into a very expensive web
of family obligations.
        Yet ... yet despite all this ... she cared for him. Love? She
was too wise to be a fool to fall for love. But still ....

                                                 * * *

        Asodo Hatch left Pan Lay, the fine house which the Lady Iro
Murasaki maintained on the heights of Cap Gargle, and descended by
means of the Escadar Steps to the administrative quarter of Bon
Tray. His intent was to route himself past the Grand Arena to Cap
Uba and his own home on the Eastern Knoll.
        As Hatch went down the Escadar Steps, he met Scorpio Fax
coming up those steps.
        "Hatch!" said Fax. "I've been trying to get hold of you!"
        "For what?" said Hatch.
        "I have a confession to make," said Fax, with the reckless
bravado of a man who has abandoned himself to his death.
        "A confession of what?" said Hatch.
        "A confession of conspiracy," said Fax.
        "Conspiracy!" said Hatch, startled.
        Ever since Scorpio Fax had suffered a nervous breakdown,
Hatch had written him off entirely as far as the world of action
was concerned, and so was all the more disconcerted by this
knifestrike revelation.
        "Yes," said Fax. "The Unreal have been months in conspiracy,
inspired by the doctrines of Nu-chala-nuth, and I - Hatch, I was
half-convinced at first, but now - "
        "Nu-chala-nuth!" said Hatch, using the word as if it were an
obscenity. "Don't say you're tied up in all this!"
        But of course Scorpio Fax had just declared as much, and he
declared a lot more as he kept Hatch company to the bottom of the
steps.
        "I have the date of the revolution," said Fax, as they came
to the bottom of the steps.
        "And?"
        "It is scheduled for Dog Day. When the Festival of the Dogs
begins, then will revolution likewise."
        "What will be the signal for the start of the revolution?"
        "When the Dog Day drums start to beat," said Fax, "then the
killing will start."
        Then Hatch questioned him further, though not perhaps with
the depth and diligence that he should have, for a great weariness
was upon him. Since he was so heavily burdened with his own
problems, and since the empire and its emperor were of no help to
him in solving those problems, wherefore should he help either
empire or emperor? Nevertheless, he did his duty.
        "All right," said Hatch, when he had extracted from Scorpio
Fax the very last bit of usable information. "I'll take this news
to Na Sashimoko. I'll try to get you an imperial pardon. In the
meantime, I suggest you hide yourself away in the Combat College,
out of sight of your fellow revolutionaries."
        With that, Fax fled, and Hatch set out for the imperial
palace of Na Sashimoko.
        At the palace, he would demand an audience with the emperor;
and, once that audience was granted to him, he would report on the
revolution which was brewing, and ... did he dare? Yes! He would
appraise the emperor of his own financial difficulties, and ask
the emperor, quite frankly, for money - either as free gift or
loan.
        Such was Hatch's plan, though he did not have much hope of
success, for the Silver Emperor was known for his tight fist. One
of Plandruk Qinplaqus's favorite sayings was that "power is its
own reward"; and in accordance with that saying he advised those
who were closest to his heart to regard the air they breathed as
the greater part of their corporeal reward. Furthermore, the
emperor had long maintained his most savage punishments for the
corrupt, and was never willing to turn a blind eye to those who
discovered ways to enrich themselves by subtlely exploiting their
positions.
        The emperor's stinginess was not without reason, for, as
emperors went, he was far from being rich. Though the imperial
silver mines were reputed to produce prodigious wealth, their
output had been grossly exaggerated by the speculative. The
emperor's finances were supported largely by taxation, and
Parengarenga was essentially a poor land, its people few, its soil
infertile and its distances vast.
        Thus the ruler of the City of Sun practiced a financial
frugality scarcely to be distinguished from miserliness, and it
was hard to say that the emperor was wrong in this. The state
possessed no cornucopia for the generation of wealth, hence any
benevolence shown to one citizen must necessarily add to the
burdens of others. Nevertheless, Hatch had quite come to the end
of his own resources, and so was determined to ask for charity.
        Though Asodo Hatch was tolerably well paid as a captain of
the Imperial Guard, and though he was able to supplement his
income by marketing things bought inside Cap Foz Para Lash with
his Combat College pay, he had nevertheless been brought to the
point of ruin by one simple fact: the price of opium.
        His wife was ill; she had cancer. Her disease was terminal,
incurable. The only treatment was pain relief, and the only
adequate source of such relief was opium, ever the most sovereign
of drugs for the relief of suffering.
        Yet opium was sourced - well, Hatch was not sure where it was
sourced, and he had not been able to find anyone who was. It came
from a particular kind of poppy, that much he knew. But the flower
in question was not cultivated in Dalar ken Halvar. Rather, opium
came to the city by way of trade - brought from Yestron, some
said, while others claimed Argan to be its source.
        The drugprice had brought Hatch to the brink of financial
disaster, and left him helpless to rescue his sister from the
consequences of her irresponsibility.
        So, as Hatch made his way to Na Sashimoko, he was full of
thoughts of his own personal struggle, and these thoughts were
scarcely diminished by his meeting with a detachment of the
Imperial Guards who were armed as if for war. Hatch had a hurried
consultation with the leader of this detachment, and was told that
Dalar ken Halvar had just received word of an uprising amongst the
slaves of the silver mines which lay ten leagues to the south.
        The slaves were making their revolution in the name of Nu-
chala-nuth.
        "That is terrible," said Hatch. "Terrible, terrible,
terrible."
        But he said it for the sake of form, for the pressures of his
own personal life were such that right at that moment he felt that
all Dalar ken Halvar could have burnt to the ground without adding
to his worries. In fact, if the moneylender Polk were to be burnt
with the city, then his worries might be substantially reduced.
        Nevertheless, having met with that detachment of Imperial
Guards, and having received their alarming intelligence, Asodo
Hatch quickened his step as he hastened on toward the imperial
palace of Na Sashimoko.


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